
Yesterday was our big group birthday party for all of the family members with summer birthdays. We're all clumped right together in the same week, so it makes sense to have one birthday party on the 4th.
I managed to finish the gifts for my sister and niece. It was a little dicey there for a bit and I'm hoping that I remember the pressure and get cracking on the presents for my little Buttercup. Her first birthday will be here before I know it.
I made this shadowbox for my sister and am pleased with how it turned out. I was trying to make a showcase for some buttons that belonged to a great great uncle who fought in the Civil War. This project taught me some important things about making interesting shadow boxes.
1. Unlike most things, for a shadowbox to be cool, more is more. My initial design had just the buttons and a bit of text describing them. Very sterile. For a lot of design, less is more but a shadowbox is supposed to be an artful arrangement of items and the ones that I think are the coolest are the ones that are just packed full of interesting stuff. It's great if that stuff all relates somehow but what is most important is that it's a joy to look at. As long as the elements look good together, it becomes less important that all the pieces have meaning. The key in this box has nothing to do with anything else in this box except that it looked like it fit well there. Maybe this was the key to my great great uncle's footlocker. It could be true. You don't know.
2. Shadowboxes need depth. Originally, the only thing in the box that wasn't flat was the buttons. It's a waste of a shadowbox to present two dimensional material in a two dimensional fashion. My mother-in-law, Kronk, generously donated the key to this project to help give some added depth to the box.
3. Shadowboxes need color. The shadowbox has a white background. The buttons are gold. The pictures I picked out for the first layout were black and white. The text is black and white. I didn't want bright colors in my historical piece however. I ended up using some great scrapbooking paper that has a kind of antiqued look. I think it made a great background for the other pieces without drawing too much attention away from the more interesting pieces.
4. Shadowboxes need faces. After several unsuccessful attempts to make something cool, I brought the pieces over to Kronk's house for her input. She said "It needs faces" and she was so right. In design, they say that the strongest visual you can have is a face. Our eyes naturally gravitate toward faces which is why you see so many faces in advertising. My original design had the lithograph of the ship and then a color picture of a model of the ship. The color picture added color elements but it was really one boat too many. I found this great photo of Civil War sailors and cropped it to fit my needs. It would have been cooler if I had a picture of the guy, but sadly, I couldn't find one. I think of the sailor photo and the key as my "cheatie elements" to make the shadowbox more interesting than it would have otherwise been.
5. Shadowboxes need the rule of three. Way back in art school, I learned that things are more visually interesting if they are asymmetrical. Odd numbers are more interesting to look at than even numbers. My design looked really awkward when it was just two buttons and two pictures. Adding the key not only gave the piece some much needed weight, but it balanced out the two metal buttons with a third metal element.

I made this doll for my niece, Athena. She's 11 and a huge Revolutionary War buff, so it's somehow fitting that our party was on I-day.
There's kind of a cool story behind this piece too. Athena wrote this story for an assignment about a girl named Charlotte White who lived next door to Paul Revere and who borrowed her brother's clothes to help ride out and spread the word that the British were coming. It was really fun and involved all sorts of crazy pre-revolution adventures.
I make these dolls for my Etsy shop,
Buttercup's Baebies, but this one is exclusive just for Athena. She really liked it and that made all the work sewing the hair to be worth it.
The body is made from a high thread count muslin and the face is embroidered on. The hair is made from cotton yarn and the cotton dress is actually two pieces which may be a little hard to see in the photo. I even made a pair of bloomers to go under the dress. I mean, what proper lady goes out without her bloomers?
Both gifts were well recieved and I must admit, I think I was more excited about giving this stuff away than I was about getting presents. Two thumbs up for homemade gifts!